Paul Virilio - Wikipedia, the free encyclopedia. Paul Virilio (French: . The Second World War made a big impression on him as the city of Nantes fell victim to the German Blitzkrieg, became a port for the German navy and was bombarded by British and American planes. After training at the . In 1. 95. 0, he converted to Christianity. After being conscripted into the army during the Algerian war of independence, Virilio attended lectures in phenomenology by Maurice Merleau- Ponty at the Sorbonne. In 1. 96. 3 he began collaborating with the architect Claude Parent and formed the Architecture Principe group. In 1. 97. 3 he became Director of Studies. In the same year, Virilio became director of the magazine L'Espace Critique. In 1. 97. 5 he co- organized the Bunker Arch. Since then he has been widely published, translated and anthologised. Since 1. 99. 8, Virilio has taught intensive seminars at European Graduate School. His major works include War and Cinema, Speed and Politics and The Information Bomb in which he argues, among many other things, that military projects and technologies drive history. Like some other cultural theorists, he rejects labels - including 'cultural theorist' - yet he has been linked by others with post- structuralism and postmodernism. Some people describe Virilio's work as being positioned in the realm of the 'hypermodern'. He has repeatedly affirmed his links with phenomenology, for example, and offers humanist critiques of modernist art movements such as Futurism. Throughout his books the political and theological themes of anarchism, pacifism and Catholicism reappear as central influences to his self- proclaimed 'marginal' approach to the question of technology. His work has been compared to that of Marshall Mc. Luhan, Jean Baudrillard, Gilles Deleuze and F. Virilio is also an urbanist. After having been a longtime resident of the city of Paris, he now lives in La Rochelle. Virilio's predictions about 'logistics of perception' - the use of images and information in war - (in War and Cinema, 1. Gulf War he was invited to discuss his ideas with French military officers. While Baudrillard infamously argued that the Gulf War did not take place, Virilio argued that it was a 'world war in miniature'. The integral accident. For example, Virilio argues that the invention of the locomotive also contained the invention of derailment. He believes the growth of technology, namely television, separates us directly from the events of real space and real time. In it he suggests we lose wisdom and sight of our immediate horizon and resort to the indirect horizon of our dissimulated environment. A Critical Assessment of Paul Virilio’s Political Economy of Speed. The task of developing a project bearing Paul Virilio’s. Download full version PDF for Speed And Politics Semiotexte Foreign. Foreign Agents Paul Virilio PDF, Free Download Speed And Politics Semiotexte.
2 (Fall 2000 / Winter 2001). Virilio, P (1977) Speed and Politics. From this angle, the Accident can be mentally pictured as a sort of . Aristotle claimed that . In Hurricane Katrina and the disastrous events that followed, Virilio sees a good example of his integral accident concept, which brought the eyes of the world upon a single nexus of time and place. From his article on Katrina, . Tout le monde regarde, c'est sur toutes les cha. Et c'est tellement, tellement mouill. The whole world is watching, it's on every station, it's the program the world is talking about. And it's so, so soggy, down there. It is with this meaning in mind that he coins the term 'dromology', which he defined as the . Dromology is important when considering the structuring of society in relation to warfare and modern media. He notes that the speed at which something happens may change its essential nature, and that which moves with speed quickly comes to dominate that which is slower. Possession of territory is not primarily about laws and contracts, but first and foremost a matter of movement and circulation.' . Virilio talks a lot about the creation of CNN and the concept of the newshound. The newshound will capture images which will then be sent to CNN, which may then be broadcast to the public. This movement of images can start a conflict (Virilio uses the example of the events following the broadcasting of the Rodney King footage). The logistics of perception relates also to the televising of military maneuvers and the images of conflict that are watched not only by people at home, but also by the military personnel involved in the conflict. The 'field of battle' also exists as a 'field of perception'. War of movement. Virilio argues that the traditional feudal fortified city disappeared because of the increasing sophistication of weapons and possibilities for warfare. For Virilio, the concept of siege warfare became rather a war of movement. In Speed and Politics, he argues that 'history progresses at the speed of its weapons systems'. Criticism. Chapter 1. Sokal and Bricmont (1. Virilio's works. Their criticism consists of a series of quotes (often long) from Virilio's works, and then explanations of how Vilirio (allegedly) confuses things and writes meaningless prose. They begin their chapter with a broad summary: The writings of Paul Virilio revolve principally around the themes of technology, communication, and speed. They contain a plethora of references to physics, particularly the theory of relativity. Furthermore, his analogies between physics and social questions are the most arbitrary imaginable, when he does not simply become intoxicated with his own words. We confess our sympathy with many of Virilio. A criticism of a passage often reads something like this: Here Virilio mixes up velocity (vitesse) and acceleration, the two basic concepts of kinematics (the description of motion), which are introduced and carefully distinguished at the beginning of every introductory physics course. They end their chapter with a long quote followed by this comment: This paragraph . And as far as we can see, it means precisely nothing. The first deterrence, nuclear deterrence, is presently being superseded by the second deterrence: a type of deterrence based on what I call 'the information bomb' associated with the new weaponry of information and communications technologies. Thus, in the very near future, and I stress this important point, it will no longer be war that is the continuation of politics by other means, it will be what I have dubbed 'the integral accident' that is the continuation of politics by other means.'. Globalisation is the speed of light.'. Everything has proceeded from there.'. New York: Semiotext(e), 1. London: Verso, 1. Popular Defense and Ecological Struggles. New York: Semiotext(e), 1. The Aesthetics of Disappearance. New York: Semiotext(e), 1. Lost Dimension. New York: Semiotext(e), 1. The Vision Machine. Bloomington: Indiana University Press, 1. Bunker Archaeology. New York: Princeton University Press, 1. The Art of the Motor. Minneapolis: University of Minnesota Press, 1. Open Sky. London: Verso, 1. Pure War. New York: Semiotext(e), 1. Politics of the Very Worst. New York: Semiotext(e), 1. Polar Inertia. London: Sage, 1. A Landscape of Events. Cambridge: MIT Press, 2. The Information Bomb. London: Verso, 2. Strategy of Deception. London: Verso, 2. Virilio Live: Selected Interviews. Edited by John Armitage. London: Sage, 2. 00. Ground Zero. London: Verso, 2. Desert Screen: War at the Speed of Light. London: Continuum, 2. Crepuscular Dawn. New York: Semiotext(e), 2. Art and Fear. London: Continuum, 2. New York: Thames & Hudson, 2. City of Panic. Oxford: Berg, 2. The Accident of Art. London: Continuum, 2. Art as Far as the Eye Can See. Oxford: Berg Publishers, 2. The Original Accident. Cambridge: Polity, 2. Grey Ecology. New York/Dresden: Atropos Press, 2. The University of Disaster. Cambridge: Polity, 2. The Futurism of the Instant: Stop- Eject. Cambridge: Polity, 2. A Winter's Journey : Four Conversations with Marianne Brausch. Seagull Books, 2. The Administration of Fear. New York: Semiotext(e), 2. The Ethics of Mobilities by Sigurd Bergmann & Tore Sager p. Berthou, Beno. 1. France du XXe si. Faculty page at European Graduate School. Accessed: March 1, 2. There are a least two different instances of this quote: 1) . To invent the train is to invent the rail accident of derailment. To invent the family automobile is to produce the pile- up on the highway. John Armitage. The Kosovo War Took Place In Orbital Space: Paul Virilio in Conversation. Accessed: May 5, 2. James Der Derian. A discussion with Paul Virilio In: virtually. Paul Virilio: From Modernism to Hypermodernism and Beyond. London: Sage, 2. 00. Derian, James Der, ed. Malden (Massachusetts): Blackwell Publishers, 1. Redhead, Steve. Paul Virilio: Theorist for an Accelerated Culture. Edinburgh: Edinburgh University Press, 2. James, Ian, Paul Virilio, London: Routledge, 2. Sokal, Alan and Bricmont, Jean. Fashionable Nonsense: Postmodern Intellectuals' Abuse of Science. First published in French as Impostures Intellectuelles in 1. Sokal, Alan. Beyond the Hoax: Science, Philosophy and Culture. External links. Faculty page at European Graduate School. Biography, bibliography, photos and video lectures. Paul Virilio. November/December 1. Paul Virilio and Louise Wilson. December 1, 1. 99. Paul Virilio and J. MA Thesis, Simon Fraser University. Paul Virilio's Hypermodern Cultural Theory. November 1. 5, 2. Steinmann, Kate. Apparatus, Capture, Trace: Photography and Biopolitics in: Fillip.
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